The limited edition Nine Inch Nails CD/DVD now in my hands may be brand new, but the music on it isn’t. We reviewed the album, entitled The Slip, when mastermind Trent Reznor first made it available as a free download in May- making a few headlines in the process, and reminding us once again that whether or not he knows where U.S.S. Music Industry is headed, or if it will even stay afloat, he is one of the new captains on board.

There’s no point in talking about music you’ve surely heard for yourself by now, but this release is noteworthy to me at least because it represents the first time I’ve bought a physical CD in a long time.

Ramshackle Southern-roots gospel stomp rock is the most fitting way to encapsulate the sound of The Builders And The Butchers, but let’s not forget about the elemental fucking soul of it all; the timeless essence of authenticity that lifts them clear from the bottomless pit of folky acoustic jam bands.

Their live show is raucous and magnetic, an uptempo affair of sonic hypnotics and unconventional instrumentation ranging from megaphones to styrofoam swim tubes and oil funnels. They’ve been known to distribute assorted toy instruments to their audience, inviting them to play along, but this aint no gimmick band. The rawness calls back to their punk roots, but the atmosphere is much more Tom Waits than Fugazi.

“It used to be that you’d tour to promote a record, and now you’re putting out songs to promote your tour. It’s an interesting shift. It’s a great time to be in a band, but it’s a horrible time to be a record label. “

For years, a heated discussion raged on about the atrocities of ruthless internet pirates and the crippling impact their cruelties had on the music business, the artists, the record stores, and even the music itself.

Finally, that ridiculous discussion is being put to rest, as more and more artists and music listeners are educating themselves beyond label rhetoric, and challenging antiquated business models and distribution paradigms.

The record labels are still trying to charge for a product that others (more and more brave souls each day) are providing for cheaper, or free, as convenient as a couple clicks of a mouse button. Even when the record labels timidly test the water by giving a little bit away for free to “see how it goes,” they do it wrong. They do low quality so as not to devalue CDs. Or they only release samples. Or they make you sign up to a mailing list you don’t want spamming you every Tuesday when they try and cram their brand new garbage down everyone’s throats. Their websites and online tools don’t work right. They don’t understand the internet like the kids do, and they don’t have the passion or vision that artists like Trent Reznor has.