News > Metallica

Welcome To The Jungle

By Skwerl
Thursday, September 10, 2009
 

Last week we caught an interesting story on antiMusic (no relation, kindly). A pair of researchers at the University of Wisconsin have been working to learn more about how human music may have come about, by experimenting with monkeys, and playing them music by Nine Inch Nails, Metallica, and Tool.

James Hetfield

The researchers recorded a series of “monkey songs” made with monkey noises, incorporating features commonly heard in monkey calls, such as rising and falling tones. They played these songs for a group of tamarin monkeys, and then they also played music by classical musician Samuel Barber, a track from The Fragile by Nine Inch Nails, Of Wolf And Man by Metallica, and The Grudge by Tool.

The Guardian reported that it was Metallica that the monkeys responded to the most, but since we’re big nerds, We got a hold of Charles Snowdon, the researcher and psychologist responsible, to find out a little bit more.

Snowdon told us that his collaborator David Teie of the American National Symphony Orchestra helped select the bands sampled, based on theories of how music affects humans emotionally.

Teie is a cellist who happens to have played with Metallica, hence the considerably pocket-protector-free selection of contemporary samples.

It was a downtempo instrumental track from The Fragile played, and it was considered a sort of control for the classical piece, so that no one could suggest that the real difference was between classical and rock.

When I read that the track from Metallica’s Black Album was the one that the monkeys responded to, it occurred to me that it was the only recording engineered before the introduction of digital “brickwall” limiting, a turning point in the so-called “loudness war.”

However, when I got all audiophiliac on Snowdon, he clarified that the press has been wrong about this detail, and that the monkeys were actually soothed by the heavier songs of both Tool and Metallica.

The research could lead to a rethink of strategies employed by breeders tasked with soundtracking the dirty deeds (a funky job if ever there was one). “Lots of primate research laboratories use radios to provide what is called ‘enrichment’ for their animals, but you can’t expect another species to be interested in our music just because we are human,” Snowdon told The Guardian.

Conducting some independent research, I played Hinder for a chimpanzee at the LA Zoo. He threw feces at me.

 
 
 

12 Comments

Leave a Reply

HTML Tags AllowedHTML: You can use these tags: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

Login with Facebook: